By Mediamec 
The South African music scene is in a constant state of evolution, but right now, all eyes are on the rising stars Jazzworx and Thukuthela — real names Kamohelo Monese and Kgotso Dube, respectively. With chart-topping hits like “Isaka (6am)”, “Vuka”, and “Uzizwa Kanjani”, these artists are stirring excitement and curiosity, with many wondering: Could their sound, known as 3-Step, mark the end of Amapiano’s dominance?
At its core, 3-Step is a distinct and dynamic genre. It breaks from the traditional four-on-the-floor house music beat, instead favouring a three-kick-drum pattern. It thrives on spontaneity — with shuffling shakers, surprise snare rolls, log drums, and layered percussion, the sound feels alive, almost like a live jam session where multiple musicians contribute in real-time.
Born in South Africa, 3-Step shares the country’s rich legacy of musical innovation. DJ Thakzin is often credited with pioneering the genre, but its development is deeply collaborative, with a growing number of producers and DJs expanding its reach both locally and abroad.
Interestingly, instead of competition, there appears to be fusion. Amapiano DJs are now weaving 3-Step into their sets, hinting at a genre-blending movement that enriches South Africa’s sonic landscape. But can 3-Step truly dethrone Amapiano?
The short answer: unlikely — at least for now.
While 3-Step’s energy and innovation are undeniable, Amapiano’s foundation is too strong, with deep cultural roots and a massive, loyal following.
Amapiano’s strength lies in its versatility. It blends elements from jazz, kwaito, deep house, and even gospel, making it universally accessible — from township streets to global stages.
Amapiano has transcended borders. The genre now enjoys international acclaim, with global superstars like Beyoncé, Drake, Ciara, and Chris Brown embracing and promoting it. Beyoncé, for instance, incorporated tracks from artists like Uncle Waffles into her tour sets — a milestone 3-Step has yet to achieve.
The Amapiano fanbase is passionate and engaged. Events like “Piano Pulse” and “Impilo Ye Piano”, alongside institutions like the South African Amapiano Awards, demonstrate a thriving ecosystem that is both cultural and communal — something not easily replicated.